RW Hedges is, in my opinion, one of the most underappreciated UK Songwriters of recent times. This is his fourth album, and like the previous two, it involves the help of co-writer and producer - Luca Nieri.
The album is a highly enjoyable listen, full of short but sweet, melodic guitar pop gems. It opens with 'Piece of String', which recalls the 60s of The Kinks and The Beatles. It is instantly memorable and has so much charm. The lyrics are heartfelt, yet with a child-like simplicity.
'Far and Wide' has more melancholic vibes with gorgeous Baroque pop production. The lyrics are beautifully vivid - "Old hearts will empty out their tears and woes. You laugh but the colour in your face, it goes."
'She Calls Through The Night' demonstrates some superb storytelling, and is a homage to Film Noir. 'Weathervane' is lovely and unique with hints of Americana. It is quite playful lyrically with themes of creativity and art. 'Who's to Care' is a moody, atmospheric country song. Musically, it is wonderfully arranged and produced, with skilled pedal steel provided by BBC Presenter - Matt Allwright.
My favourite here is 'A Travelling Road' which is joyous and uplifting, with glorious vocal harmonies. At times it recalled The Byrds and The Zombies. It ends on 'Year after Year' which has more 50s Everly Brothers vibes.
A timeless album, which although short, has many beautifully written songs with superb melodies and hooks. Highly recommended.
RW Hedges is one of the best, relatively unheard, songwriters in the UK today. Together with songwriting partner Luca Nieri (right in photo), they create wonderful pop songs, with lovely melodies and hooks. Their sound recalls the 60s of The Beatles, Kinks and The Left Banke, also with hints of Americana and 50s Doo-wop. On 3 Sept this year, he will be releasing his fourth album - Year after Year. It will be released on the superb Wonderfulsound label. I catch up with RW Hedges and we talk about the new record and everything music related!
Q. You will soon be releasing 'Year after Year' the new album and follow up to 2019's Western themed 'The Hills are Old Songs'. What can we expect to hear? Does it have a theme like the last record? A. Hi Julie, what to expect? I always hope to deliver a memorable song so I hope they can expect that. And I thought the same for The Hills are Old Songs but that was themed more like for a play? Here, if there is a theme, it could be song itself. Q. What were the main inspirations for the songs? Were there any Artists, Films or Literature which inspired the writing? A. Last year Luca and I felt the project we had was in the wrong time so we shelved that again and Luca suggested a set of songs more in the key of music we used to play/listen to from the early to mid 60s very much Kinks, Zombies and Beatles but also Bert Jansch or folk blues. There are even hidden American songbook elements in the odd line or structure. There is what we call a song triad and that happens with the first 3 tracks. It has a Noir story, a west coast journey and some songs that are about the writing process in a way. We didn’t need a library shelf dedicated to this; any research was done on the jog.
Q. Tell me about the recording process. How did you end up working with Matt Allwright (BBC Presenter) who provides pedal steel? A. It all came together quickly, we know Matt Allwright through my mate Scott who runs Balcony shirts in Uxbridge (check our Tunnel Visionpodcast show) Matt was quick to realise his parts and intuitively he played on the ones that work for pedal steel beautifully.
Luca is studio head musician as well as producer, all those lovely electric guitars, drums, bass, organ piano and bv’s is all Luca. He is a king of arrangements too! I’m ever so lucky. But I had to fashion my chords, melody or lyrics to the occasion. And my friend Dan Towler, also a songwriter, did some amazing additional vocals and you can’t tell which of us is which. I like that.
Most of all I like writing songs with Luca. He can always help a line or a chord along with fluidity. You need all these elements, I think.
Q. The album is very short - 9 songs and around 20 mins in total. Is there a reason why you go against the 'standard' durations which most songwriters today follow? A. I think partly in order to go against the standard of 5 minute songs, if I’m honest. It isn’t as if you can’t listen again? There are lots of good long songs when the writer feels or the song shows they should be. Here we kept the songs lean, with a good chorus. I know they are popular but anthems are not my bag. Q. For you, what constitutes as a 'great song'? A. When a word is combined in perfect wedding to melody and vice versa. It is hard to write convincingly I reckon. 'My Heart Stood Still' by Rodgers & Hart is a song I love, and I love them. That is a gold standard writing team. I look to them and use them as a bar way too high for me.
Q. Did you start writing songs at a young age? What started your love of music? A. I sang to my mum at night as a baby, so I am told. I was in school choir and later in a Youth theatre where I met half of my first band that Luca was drummer in. I played Joey Biltmore in Guys and Dolls, Burt in Blitz, Mr Fox in Pinocchio. I love acting. Started writing at 14. It was all about guitars and gigs and sweating a lot back then. Q. Is there a song you have written, or an album you are most proud of? A. 'Signal Man', 'Haven't Seen Her in a While', 'Just a Fool', '80's Beach Emotion'. The album I am proudest of is 'Year After Year' (contractually obligated). I really like some of my comedy songs but my songs with Luca are the best really.
Q. What started with your fascination with The American Songbook, Broadway Musicals e.t.c.? A. I was feeling low one day, I didn’t know what to do so I watched South Pacific which I’d seen along with many musicals before but this time it hit me properly. All the color and passion and brilliance of it. I then ordered in books and searched for hours to find more and more information. Luca and I both looked at chords and listened and talked a fair bit. The American songbook has had a massive effect on our great songwriters; Davies, Coward, McCartney and more. They are sadly overlooked now, people like Dorothy Fields. But anyone who reads this can start up with the brilliant Afterglowradio from beautiful Bloomington Indiana. Mark Chilla has an archive and you’ll find the standards are a treat. Q. Your first album Almanac (2008) is very different to your later ones with Luca Nieri. Do you find it better to work in a team? Does it affect the songwriting/creativity? A. It is much better for me to be in a team. If the producer is also a proper musician and then an actual writer who really sees a way forward then you are so close to a tighter vision? The discussion is very important. So are surroundings. We write in a spot off the grid, and I do collage art, whilst Luca is a brilliant artist and can turn to graffiti or stark pencil works and paintings that are brilliant. Art is a really important part of our vision; it is as much therapy as music. Luca edits our videos taking all artistic responsibility into the fold. It is a way and it does help gel stuff to be honest. On a personal note, I would like access to a bunch of Jazz musicians in Prague. We could record and then have food just off of Charles bridge? Q. You recorded a number of superb demos with your old band Starky (90s/early 00s). How do you look back on your experiences with the band? Will the songs ever be released? A. We were good. Had lots of fun. Luca was 1st drummer then went off to do all manner of brilliant music and art. Our next drummer was Jody Moroney (great drummer name) who now plays with a few acts including a project with Little Barry.
We never released a thing. The band we were gigging and writing madly and recorded most of our stuff on Tascam 4 trks later 8 trks. I had a side blues and folk novelty gig of sitting on pub stools and belching at people. I was pretty good, I was honest and no-one was then really. The open mic nights were a scam. I went for travelling gigs and the odd residency.
Q. What are your favourite experiences/places you have visited e.t.c. whilst making music? A. Greek Islands. It is the purest light in the centre of the world and you can breathe and be yourself and melt into the landscape.
Q. Do you have any plans for new projects, gigs e.t.c. in the future? A. We are writing all the time for different bits n bobs. But we will try to do a Christmas song every year from now if we can, since we have done 4 these few years and we really enjoy it.
Check out Luca’s Etrurian Shades album. I love the Luca Nieri albums and people should hear all of them. Certainly, Spring to Summer 2022 is a goal for the next project from Luca and I.
Preorder the new album Year After Year, here on Wonderfulsound Release date: 3 Sept (though expected Aug), 2021
Sometime Songs is a collaboration of artists on the superb Wonderfulsound label. To my knowledge, the music is by The Superimposers (brilliant Psych/Indie band on the label). Vocals are by Americana Artist - Angelina.
'Shooting Stars' is one of those magical songs you don't hear too often today, which recalls Motown Soul of the early 60s. The production reminded me of 50s doo-wop as well, especially the backing harmonies.
Angelina's vocals are very unique and have vibes of Patti Smith. The vocals and music, although from completely different genres, compliment each other perfectly.
'Borderline' is more ambient and laid-back sounding. It again has that magical production.
A superb EP from a label where you are always guaranteed to find something different and unique. Highly recommended.
Luca Nieri returns with his 5th album and this one is entirely made up of instrumentals. It is unusual for the type of music I typically review here but I strongly urge people to check it out.
His previous album 'Always You' was my favourite album of 2020. I have known of Luca's music since 2018 and on hearing RW Hedges album 'The Hunters in the Snow' (which he co-wrote and produced) I was immediately hooked. It is still one of the most beautiful records I have ever heard.
Luca Nieri has his own unique sound and is also a great producer, this is evident on the new album. It opens with a delicate piano/strings instrumental which has an eerie magic to it which would not sound out of place on a fantasy film soundtrack.
'Milo's Song' is very different and more Folk sounding, it is a lovely, relaxing listen. None of the songs here are too alike so it doesn't become repetitive like some instrumental music can.
My favourite here is 'A Soldier's Return' which vaguely has Western vibes and you can hear the Ennio Morricone influence. Title track 'Etrurian Shades' has an Autumnal feel to it, like much of Nieri's earlier work. 'Dead Tree Blues' reminded me more of Luca's old band The Monks Kitchen. It is quite folky and some of the guitar work brought to mind Bert Jansch.
A beautiful album and perfect if you are looking for something a bit different to listen to. Highly recommended.
Released: 27 March 2020 Label: Wonderfulsound Listen and Buy Here London songwriter - Luca Nieri, is one of UK Folk music's greatest talents. His new record is a beautiful listen, full of subtle, fragile songs. It is, of course, wonderfully crafted and produced. The album includes a number of covers which, unless you were familiar with the original, you would have thought were Luca's own. He adds his own unique style and magic to the songs, not often found in music today. They are a joy to listen to. It opens with 'Chasing Love', his version of the Bert Jansch classic. It is superb and has laid back jazzy vibes. 'Always You' is an original and it too has hints of 50s jazz and a timeless quality to it. There is also a hint of melancholy.
My favourite song here is the enchanting 'This Time I Would Know', a cover of the lost 50s love song by The Browns. It has so much charm and the harmonies are stunning. On first listen it had me quite emotional. I can really see the influence it has on Luca, and of course RW Hedges too. 'Scarlet Sails' is another of Luca's own (RW Hedges co-wrote the lyrics), a short and simple lullaby with gorgeous harmonies and poetic lyrics - 'Underneath the canopy, stars come out to view. Deep dark blue. When the scarlet sails arrive from the open sea. I've lost you.' Another highlight is 'Farewell, Farewell', a lovely rendition of the Fairport Convention song. It ends on 'Leon's Song', a marvelous instrumental, which is so well crafted and very moving. A superb album, which although short, it really is perfect. His best album, and the best album of the year so far.
Released: Aug 2019 Label: Wonderfulsound Listen on Bandcamp I have only been listening to London based songwriter RW Hedges for a few months but he has already become a favourite of mine. This is his third album, and the follow-up to last year's lost classic - 'The Hunters in the Snow'. Childhood friend and talented musician - Luca Nieri, co-wrote the music and produced the album. He has some impressive solo albums himself, full of lovely folk instrumentals. RW Hedges' sound is largely folk but with an array of influences, from 50's Easy Listening and Doo Wop, to the vocal harmony groups of the 60's. It opens with 'Haven't Seen Her In A While', a timeless ballad, which is so beautiful and heartbreaking. On first listen, I couldn't help but get a bit teary eyed. It expresses such a lot of emotion which is rare in most recent music. 'Down to Venezuela' is a joyous song, and creates imagery of life in the bygone era of the Wild West. It is so melodically perfect, you will be humming along. A lot of the songs here are Western themed but it is charming, rather than overbearing which can be the case with themed albums. 'Deep in the Valley' another highlight, tells the story of a cowboy outlaw. It is beautifully written with sublime melodies and there is also a hint of sadness. 'My Dearest' is one of the sweetest songs you will ever hear. It is delicate and full of emotion, yet has the simplicity of a lullaby. 'Sure Enough' is also very moving and has themes of loss and loneliness. The aching vocals at the end of the chorus, again are hard to listen to without feeling emotional. This album only goes further in proving RW Hedges has a unique and rare talent, the kind which doesn't come around too often. I believe in years to come his albums will be regarded as 'classics', which they deserve to be.
